I sometimes think of my project to pass Reaction through the refiner’s fire as beginning with the raw material of a simple stout tree, which has grown straight but has many branches. My task is to examine and prune those branches, and to plane down the tree to its core, creating a smooth and solid piece of wood, to which can be fitted a forged head—a lance of destiny, we can call it. This book, Guillaume Faye’s Archeofuturism, is one of those branches, and today we will lop it off, though perhaps some of its wood can be used to fuel the forging furnace. That said, this book is mostly insane. But not completely. And, if I am being honest, it prefigures, in part, my own preoccupation with a future that combines the politics of Reaction with the technology of tomorrow.
Given that zombie survival manuals and similar how-to books are today all the rage, on sale at every Costco, Edward Luttwak’s Coup d’État: A Practical Handbook seems like a selection from the same genre. Namely, of somewhat jokey books that purport to tell you what to do in a strange, disastrous situation, while effectively acknowledging that if you do end up being chased by zombies, hurriedly turning to the index, finding the entry “When Being Pursued,” then scrambling to locate page 102, isn’t probably the best tactic for survival. But instead, this book is the real thing, I think—an actual practical handbook on how to overthrow the state. More precisely, how to overthrow a weak state, a banana republic, though I will give some thought to relevance in the modern American context.
As I and my family continue our inevitable pivot toward Orthodoxy, I have been reading more works on, you guessed it, Orthodoxy. This book, by the English theologian Timothy Ware, who as a bishop uses the baptismal name Kallistos, is a classic introduction to Orthodoxy. It was first published in 1963 but has more recently been revised, so it is fully up to date on history—and doctrine has not changed in Orthodoxy since 1963, or 963, for that matter. I’ve actually owned the book for several years, but have only now read it, having been told by several people that it is very much worth reading. And they were right—it is an excellent book.
For some time now, I have been telling my children, none of whom have ever lived through any event that significantly harmed America, that sooner or later, history will return. The older ones roll their eyes; the younger ones have no idea what I mean. This book shows what I mean, through a fictionalized look at a 2020 nuclear attack by North Korea on South Korea, Japan, and the United States.
Koh-i-Noor is not about the diamond, to my disappointment. Oh, sure, it makes an appearance here and there in this book. But very little is actually said here about the diamond itself, probably because the Queen of England hasn’t made it available for analysis and study, and prior generations didn’t record much about its specifics. Rather, this is a book of cultural history revolving around people who have owned the diamond. That’s interesting, in its own way, but not what I was promised.
A few weeks ago, I watched a bad movie on Netflix—The Cloverfield Effect. This near-future science fiction film (distantly related to the original Cloverfield, an updated Godzilla-type movie) revolved around a disastrous attempt to generate unlimited energy in space, needed because the entire world was “two years from running out of all energy.” Yes, that’s really as stupid as it sounds. But Meghan O’Sullivan is here to tell us that just as stupid is the idea that we’re running out of fossil fuels, within any time frame that matters. And she is further here to tell us what that means, for our economy, our global position, and for the future stability of the world, both geopolitically and environmentally.
I think Robert Louis Wilken is fantastic, but this is the weakest book of his that I have read. It is not that it is bad, or wrong, or stupid, in any way. It is that it falls into the genre I call “capsule history,” where many short chapters cover different happenings, and only a loose framework connects the chapters. The result is that a reader can learn something, or can even learn quite a bit, but the experience is too much like reading an encyclopedia. On the other hand, the book does consistently excel in one thing—communicating the loss suffered when Islam dominated or exterminated Christianity in its lands of first flourishing, from northern Africa to Mesopotamia. And if you’re looking for a factual overview of the first thousand years of Christianity, you’ll certainly get it here.
This is a short book with a sweeping thesis. In essence, the thesis of The Geography of Thought is that many important cognitive processes dominant in East Asian (i.e., Chinese, Japanese and Korean) cultures are substantially different from those processes in Western (i.e., American and European) cultures. This proposition explains a variety of dissimilarities in how people from each culture approach the world and each other, and it is also a partial explanation of the Great Divergence—why the modern world was created by the West, and by nobody else, to the lasting (so far) benefit of the West. While the author, Richard Nisbett, goes to great lengths to not ascribe superiority to one type of cognition over another, his cultural analyses show why the Scientific Revolution and the Industrial Revolution could not have happened in East Asia. As they say, though, past performance is no guarantee of future results, and perhaps the relative value of Western ways of thought has passed its use-by date.
This book, published in 2009, shows its age. It was written before the mass immigration to Europe of the past few years, and also before the increase in Muslim terror. While nothing the book says is wrong, and its analysis is sound enough (though it nowhere justifies, or even attempts to justify, the echo of Burke in its title), its problem is that nearly everything it contains is outdated. The future has arrived, and it is much worse than Caldwell pessimistically predicted, though at least we can now look forward to a fresh future for Europe that will be even farther downhill.
Americans have always liked fighting stories: autobiographical and third person, fictional and non-fictional. From dime novels about outlaws and Indians to, more recently, war movies, Americans have vicariously enjoyed American combat, and American successes in combat. There are even meta fighting stories: an organizing frame of Clint Eastwood’s movie Unforgiven is a biographer trailing Eastwood’s character to write a dime novel. As far as the recent Afghanistan and Iraq wars, early movies (i.e., under Bush) were mostly high-profile flops attacking America (Rendition; Lions for Lambs). Later movies (i.e., under Obama, where it was no longer regarded as necessary by those controlling the film industry to attack Bush rather than make profits) included some such, but moved toward depicting American heroism (Lone Survivor; American Sniper). Not incidentally, those two latter movies were based on autobiographical books, rather than the fever dreams of Hollywood leftists, and this book, Clinton Romesha’s Red Platoon, falls squarely into that genre.