“The White Man’s Burden,” despite its inflammatory title, is a measured analysis of the ability of the West to help alleviate poverty in the rest of the world. The title is actually ironic, for the book concludes, in essence, that most of the burden the West has taken on has led to no improvement and much waste. This book is a companion, in many ways, to Easterly’s later book “The Tyranny of Experts.” It also has much in common with other books focusing on both the Great Divergence and the lifting of the poor out of poverty, in particular Angus Deaton’s recent book, “The Great Escape,” and James C. Scott’s seminal “Seeing Like A State.”
“Empire Of Cotton” is really two books. First, it’s an exhaustive exposition of the history of cotton as a textile raw material. That’s about 80% of the book, and by exhaustive I mean very, very exhaustive. Second, and unfortunately dominating, it’s a puerile, scattered, self-contradictory and confused attack on the Great Boogeyman “Capitalism,” along with sustained criticism of anything originating in or related to European culture. This book is a sort of “Occupy For Eggheads.” But not for very clear-thinking eggheads.
Looking at other reviews of “The Arab Mind,” it appears readers divide into two camps. The first group, for whom ideology matters more than reality, hate this book. The second group, largely military, for whom their lives depend on an accurate perception of reality, love this book. This divergence alone suggests the book is worth reading.
William Easterly is a leading critic of traditional approaches to development—that is, of traditional approaches to bridging the Great Divergence. He, and everyone else studying development, want to know why and how the West and a few Western-influenced countries have become wealthy, and everyone else in the world has stayed poor, despite trillions of dollars spent fruitlessly over seven decades by the West to bring the poor out of poverty.
This book not only illuminates Sir Walter Raleigh’s life, but also illuminates his times in a way that brings real benefit to the reader. The author, Raleigh Trevelyan (who died in 2014), does an excellent job of making Raleigh’s story compelling, maintaining focus on his protagonist while bringing in enough of the historical and political background to put Walter Raleigh in the context of his times. (Although if you don’t like poetry, you may not like frequent quotations of Raleigh’s poetry—but those also illuminate the points at hand, and so are well worth paying attention to.)