This book, a brief work of cultural history, outlines four parallel aspects of three political systems: the American New Deal, Italian Fascism, and German Nazism. The point of Three New Deals is that these political systems shared core similarities in certain programmatic manifestations. The author, Wolfgang Schivelbusch, fortunately does not claim that the three systems were essentially the same. He offers, instead, a discussion of the interplay between the governed and the governors in each of these systems—how each shaped the other, in ways that can be compared and contrasted across systems. The result is a book of modest interest from which, perhaps, something more can be spun.
Along with left-wing books decrying the supposed Trump-driven decline of democracy, I have been reading right-wing books about the supposed Trump-driven realignment of politics. They have mostly been tedious, and this one, Frank Buckley’s The Republican Workers Party, has not improved my mood. It is poorly written, unoriginal, blinkered, simplistic, and annoying. Worst of all, reading the book is like watching a spastic jumping frog. It lurches from half-covered topic to half-covered topic, never settling on anything. Don’t waste your time.
This is an academic monograph, rather than a work of propaganda or political inspiration. Those looking for a rabble-rousing polemic in the style of today’s mass-popular conservative authors, or of a Wayne LaPierre speech, will be disappointed. What the reader gets instead is far more valuable: an understanding of modern history as it relates to gun control, and illumination of how gun seizures may work in practice if our own government turns criminal.
As the ideological tectonic plates shift in America, many apparently settled matters have become unsettled. This creates, at the same time, both conflict and strange bedfellows, though I suspect the latter will become used to each other soon enough. Such once-settled matters include hot-button cultural matters like nationalism, but also dry, technical matters of little apparent general interest that are of profound actual importance. Among these are the place in our society of concentrations of economic (and therefore political) power, the subject of the excellent Tim Wu’s awesome new book, The Curse of Bigness. What Wu is hawking is “Neo-Brandeisianism,” and I am buying what he is selling.
Since I am an apocalypse monger, but a practical one, I do not worry about alien invasions or the reversal of Earth’s magnetic field, but I do worry about pandemics. This book, Laura Spinney’s Pale Rider, is a recent offering in the pandemic literature that has become popular in the past twenty years. It focuses on the only known pathogen likely to create a future pandemic, the influenza virus, through its greatest past outbreak, the Spanish Flu of 1918. I read books like these partially for history knowledge and partially to understand what to do in a similar future situation, and Pale Rider is useful for both.
Carl Schmitt, preeminent antiliberal, is that rare thing, the modern political philosopher relevant long after his time. The simple remember him only for his grasping embrace of Nazism, but the more astute, especially on the Left, have in recent times found much to ponder in Schmitt’s protean writings. He did not offer ideology, as did so many forgotten political philosophers, but instead clear analysis of power relations, untied to any specific system or regime. So, as the neoliberal new world order collapses, and the old dragons of man, lulled for decades by the false promises of liberal democracy, rise from slumber, such matters are become relevant once more, and Schmitt informs our times, echoing, as they do, his times.
It seems to me that we in the West are like men in a cavern, out of which lead many paths, none signposted. Some paths lead to bright futures, but other paths lead to terrible ones, among them those where, once again as we did not so very long ago, we slaughter each other over ideology. And the way back is closed, so we must choose one path forward. The service of this book is that it illustrates Solzhenitsyn’s dictum, that the line between good and evil runs through every human heart. Thus, reflecting upon this book may help us choose the correct exit from the cavern, and to that end, it is worth bearing the unease that comes over us when we read books like this. This book, a staple of Holocaust studies for twenty-five years, has recently risen to fresh prominence due to repeated mentions of it by Canadian psychologist, and superstar, Jordan Peterson. His focus on the book arises from his own decades-long study of evil regimes, and his thought on how …
From the cover, I expected this book to be a lightweight documentary version of Crazy Rich Asians, offering painfully amusing stories about the foibles of the super-rich, accompanied by cautions about the negative effects of such behavior upon the rest of America. Plus, the picture of private jets in the driveway attracted me as a vision of my hoped-for future, since I am comfortably in the 0.1%, and much of my time is spent struggling to reach yet higher. Instead, this book is a pretty dense, though rambling, web of analysis, with no funny stories at all. Still, it’s modestly worthwhile in itself, and it has the additional benefit that it sheds light on today.
Ship of Fools extends the recent run of books that attack the American ruling class as decayed and awful. However it is characterized, as the professional-management elite, the Front Row Kids, or one of many other labels, all these books argue the ruling class is running our country into the ground, and most argue it is stupid and annoying to boot. I certainly agree, and I also tend to agree with the grim prognostication in the subtitle, that revolution is coming—that is, this will end in blood. What this book fails to offer, though, just like all these books, is any kind of possible other solution. Which, after a while, reinforces the reader’s conclusion that there is no other solution.
As with Nicholas II, the last ruling Romanov, how we view Charles I is largely set by how his days ended. And as with Nicholas, we have been further conditioned by generations of propaganda pumped out by the winners and their ideological allies, claiming that it was Charles’s own bad philosophy, coupled with incompetence, rather than mostly bad luck and choices only wrong in retrospect, that led to his death. Leanda de Lisle’s The White King rejects the fake news and offers an even-handed view.