In their eternal quest to remake reality, a perennial target of the Left is the family: man, woman, and children, the bedrock of all human societies. The family, by its existence and by what it brings forth, mocks the Left project, and so the Left has tried to destroy it for 250 years. But only in the twentieth century did this effort gain real traction, when our elites became converts to the fantasy that sex roles as they existed were artefacts of oppression, not organic reality. What followed was mass indoctrination in falsehoods about men and women, in which this infamous book played a key role. If you see a sad wine aunt (they are all sad), and you see them everywhere, you see a small part of the resulting social wreckage.
The “why” of entrepreneurship varies by entrepreneur. My core “why” is money. I want, and have always wanted, money, for what money can do. Whether that is avarice, or wisdom, or both, we can discuss another day. No surprise, in the 1980s song by The Nails, “88 Lines About 44 Women,” one of the couplets has always resonated with me: “Kathleen’s point of view was this / Take whatever you can grab.” Along similar lines, when asked what the mission statement of my company is, I like to respond, entirely accurately and completely, “To put sweet cash in the pocket of Charles.” I am consistent, at least.
Philosopher Matthew Crawford’s third book is ostensibly a book about driving, but as with all Crawford’s works, that is merely the jumping-off point. Crawford expands our minds by exploring a range of related ideas, usually through concretizing abstractions, tying them to work done by real people in the real world. Why We Drive uses this structure, as did his first two books, Shop Class as Soulcraft and The World Beyond Your Head. Such writing is not for everyone; the payoff can take some time to arrive. But it’s worth the modest effort required, and offers insights into critical modern problems, most of all the pernicious vice of safetyism.
The great social argument of this instant is whether everyone should now, because of the Wuhan Plague, be required to wear face masks, and if so, under what circumstances. Today, therefore, I will offer a complete analysis of mask wearing, something I have seen nowhere else. True, I normally disdain writing about transitory matters, which this likely is, but the Plague and the varied reactions to it in the policy realm say much that reflects light onto broader and more permanent topics, and this is particularly true of masks, arguments about which condense matters of greater import.
Attacks on digital technology for destroying our capacity for attention are a dime a dozen. Despite its title, Matthew Crawford’s The World Beyond Your Head is not such an attack. It is far more ambitious. Somewhat to my surprise, it is a direct assault on the Enlightenment for ruining the habits of mind and practice that lead to human flourishing. Crawford says modern man is subject to delusions, birthed by the Enlightenment, that diffuse our perception of the world in a fog of unreality. He therefore sets himself up in as the paladin of reality, a champion badly needed by our times, offering a return to the solidity of the real, through excellence as developed in skilled practices.
To the extent you have heard of Warren Zevon, it is probably because David Letterman devoted an entire episode of Late Night to him when Zevon was dying, in 2002. That appearance shined up Zevon’s star, which had faded greatly since his glory days in the 1970s. It was not the mere fact of Zevon’s appearance, it was his sardonic humor about his own looming death from mesothelioma, combined with the fact that he was going down like a man, refusing any treatment and instead finishing his last album. Such bravery, a virtue of the old school, combined with VH1’s simultaneous soft-focus documentary on his life, gave Zevon an aura of virtue. This book seems to have been designed, with his consent, to mostly dispel that aura.
I have led a boring life, at least as measured by the topics covered by this book, Michael Pollan’s How to Change Your Mind. Not only have I never taken any psychedelic drug of any type, I have never taken any illegal drug at all. Similarly, I have never had any type of mystical experience whatsoever, though I am certainly open to such a thing and have total confidence that many other people have. Just not me. But here, as in many matters, others go where I have not tread. Pollan, famous mostly for books on food, decided to explore drug-induced alterations of consciousness, and this book is the measured result of his spelunking in the caverns of the mind.
Would you like to read a book about Scott Adams? Then this is your book, especially if you want to hear Scott Adams talk about how awesome he is. Would you like to read a book about persuasion techniques? This book may shed a little light, maybe two pages’ worth. Would you like to read a book about how Donald Trump got elected, which is what this book is supposed to be? You are mostly out of luck—unless you want to be told that Donald Trump got elected primarily because of Scott Adams, in which case you are again at the right place.
This is not a book about how you can make more money as a plumber than by going to law school. It is, rather, a book of philosophy, revolving around thoughts on alienation, self-reliance, and what we owe to others. I found it to be both a bit rambling and unexpectedly deep—it manages to connect the thoughts of Marx with those of Aristotle, and it combines practical thoughts on how one should earn one’s bread with advice for living a whole life. The net effect is worthwhile, though not earthshattering.
A friend of mine has been pushing me to look into Jordan Peterson for the past six months. I thought, since my friend is conservative, that Peterson offered right-wing politics, and it is true that he has recently been in the news for his thoughts on certain charged topics. However, Peterson does not, in fact, offer politics, which is refreshing in these days of rage. Rather, 12 Rules For Life is a self-help book constructed like a Russian matryoshka doll, a nested construct. It talks, and works, on multiple levels, some of which may have political implications, but if so, they are incidental to what the book offers to each human person, both the broken and the whole.