Billed as a continuation, this book is really the chiral image of Michael Walsh’s earlier book, The Devil’s Pleasure Palace. That book was an attempt, with limited success, to outline and discuss the poisonous Frankfurt School of political philosophy, Critical Theory, through the prism of art. This book, on the other hand, aims to discuss art, with Critical Theory as the subtext. It is a largely successful attempt to outline and discuss the unparalleled genius of Western art, in its historical context and with its historical implications, and thereby to “restore Western culture to its proper place.” That restoration is necessary for our culture to cauterize the venomous bite of the Frankfurt School, whose view of art as politics, and of Western culture as worthless and evil, must be rejected if the West is to regain its path.
My project here is to analyze, in the detail required for all necessary understanding, the thought of Curtis Yarvin, who wrote under the pseudonym Mencius Moldbug. Yarvin is the most prominent figure of what has been called the Dark Enlightenment, one thread of modern reactionary thought. My short summary is that he offers mediocre analysis with quite a few flashes of insight. Even so, his thought is mostly worthless, because his program for political change is silly, since it fails to understand both history and human nature, and is ultimately indistinguishable from the program of the Left. Overall I was very disappointed, and this write-up is shorter than I expected when beginning my project, since there is not all that much interesting to talk about.
I stay away from the shouters, such as Rush Limbaugh and Mark Levin. Sure, they’re right in their conclusions, most of the time, but the lack of nuanced thought annoys me. There are plenty of ways to get easily worked up today, without seeking out more that don’t offer a corresponding benefit. Angelo Codevilla is not a shouter, but this is at least a half-shouter book, as shown by that Limbaugh wrote the Introduction. As is the case with most books of conservative woe, it has nothing of substance to offer about how to fix the problems it identifies. Still, it has one interesting insight, and one cautionary lesson. And I am here to offer the solution to the problem Codevilla talks about. It’s not even radical!
This isn’t a great book, but it’s a starting point for discussions that are worth having. Richard Reeves gently flogs his own class for their sins, an act he thinks is very daring, though he uses a thin, silken cord and doesn’t put any muscle into it. The upper middle class, he says, is pulling up the bridge to the Castle of Success, protecting its own sons and daughters from the dragons outside, at the expense of the peasants milling about on the other side of the moat. He thinks this is bad, although he is confused as to exactly why that should be, since it seems “unfair,” but he can’t say what that is with any precision, and, after all, isn’t personal choice the most important thing of all? So this book mostly goes nowhere, but it can tickle the mind into some genuine thought.
Although this is a book written by one of today’s most prominent Christian theologians, it is not a Christian book. David Bentley Hart’s purpose is to demolish atheism, not to support Christian revelation. Hart’s core point is that all theistic traditions, including the Abrahamic but also the Hindu and Buddhist, and even “various late antique paganisms,” share sophisticated reasoning about God and have arrived at certain conclusions which, if not ironclad, are much more reasonable and much more convincing than atheist arguments, which are, mostly, some combination of simplistic and irrelevant. While I am not the target audience, it seems to me that an honest reader of this book is very unlikely to leave an atheist, even if he entered one, so if that is true, Hart’s book is a success.
Exhaustively documented, and in some ways just exhausting, though at the same time exhilarating, Brad Gregory’s The Unintended Reformation is a towering achievement. It synthesizes centuries of history and multiple avenues of thought to analyze how we arrived at certain negative aspects of modernity. Gregory’s claim is that we got here as the result of the unintended consequences of choices made in response to “major, perceived human problems.” Those choices were, initially, the Reformation’s religious choices, which ran counter to the entire worldview of medieval Christianity. But the Reformation did not solve the problems—it made them worse, in a declining spiral, accelerated and exacerbated by subsequent secularization, itself partially the result of the Reformation. The result is a world in which the ability of humans to find meaning in their lives has been crippled, rather than enhanced. We would, implicitly, be better off with something more like the High Medieval synthesis destroyed by Martin Luther.