Almost always one reads a book of future-looking political theory long before or long after its substance has been proven or disproven. It is quite another experience to observe theory offered just yesterday as it morphs today into reality. So it is with The Decadent Society, released in February, a month ago. It sharply identifies our problems, and speaks abstractly of possible futures for both America and the rest of the world, in which our problems are solved, or not. But all changed futures require a mechanism of change, that in February we were lacking. Now, the Wuhan coronavirus, and, much more importantly, its knock-on effects, have delivered a possible mechanism, and a changed future rises in the shadows. History has, perhaps, returned.
A few weeks ago, I watched Once Upon a Time in Hollywood, and Quentin Tarantino’s movie delivered to me what I have been seeking. Namely, the exact point America careened off the path to flourishing, abandoning our long, mostly successful search for ever-increasing excellence and achievement. It was 1969. As the shadows lengthen and the darkness spreads, perhaps it does not matter when twilight fell. But why twilight fell does matter, and much of the answer can be found in the pages of Amity Shlaes’s new book, Great Society, which narrates the decade’s massive expansion of government, and of elite power, all in the service of the Left, that we were told was certain to give us Utopia, but instead destroyed our civilization.
When we think of Late Antiquity, we usually think of Rome, either its decline in the West or its continuation in the East. When we are feeling particularly adventurous, we may think of the Sassanid Persians, or ponder the stirrings of the Franks in the dark forests of Gaul. We usually don’t think of the farther reaches of the Red Sea—Ethiopia, the Horn of Africa, and what are today the oil- and blood-soaked sands of Saudi Arabia and Yemen. But in the several centuries after Christ, all these were very much part of the known world, if somewhat peripheral. The Throne of Adulis reconstructs, from fragmentary evidence, those centuries, through the prism of wars conducted across the Red Sea.