High architecture, that of grand buildings, is a bridge between God and man, and a sinew binding state and people, the ruling class and the masses. Low architecture, that of daily living and daily use, is key to satisfaction in the life of a populace. Thus, a coherent and uplifting architecture, high and low, is, and has always been, necessary for any successful society. I will return below to what architecture we should have, why, and what needs to be done to achieve it. Today, though, we most definitely don’t have a coherent and uplifting architecture, and Robert Stevens Curl, in Making Dystopia, explains what the abomination of Modernism is and why it utterly dominates our current architecture.
Among the many idols of our age, there is one that rules them all: John Stuart Mill’s harm principle, the belief that an individual’s choices may never be legitimately hampered, by anyone at all, except if he is harming others. Bizarrely, this idea, radical in 1860 when Mill published On Liberty, has now even been enshrined as the core principle of our Constitution, at least if you believe Anthony Kennedy and the majority of the Supreme Court. This book, of which you have probably never heard, was published in 1873 and is regarded as the best contemporaneous refutation of Mill. Maybe it is, but its refutation is too narrowly based and accepts far too many of Mill’s premises. It is a start to overthrowing the golden calf, but only a start.
Last year, I went to the State Fair, and simply sat and watched the people pass by. The vast majority were lower class, and looked it. I tried, for a change, to ignore the externals and imagine myself conversing with individuals with whom, to an outside observer, I have nothing in common. Chris Arnade wrote Dignity to document a similar exercise, though one far more in-depth. He travelled the country, talking to many people from the lower classes, what he calls the “back row.” Then he wrote up what he had learned, and added a great deal by filling the book with pictures, so that the reader can perform the same exercise I did at the State Fair, and ponder respect and the back row in today’s society.
In Conformity, Cass Sunstein takes common sense about how decisions are informed, and distorted, by social pressure and makes it both better and worse. Better, because he shows why common sense is confirmed by logic and experiment. Worse, because he makes it feel pedantic. But if you reflect on the discussions in this book, and apply them to current events and your own thinking, you can get some interest and excitement back into your brain, and maybe benefit yourself and society as well.
In these days where man is held to be homo economicus, we are told that all people are basically the same, and what they want, most of all, is ease and comfort. Real Vikings prove this false. Instead, they reflect back to us a strange combination of very bad behavior and until-the-last-dog-dies virtue. Tom Shippey wants to talk about those real Vikings, not the sanitized ones who were supposedly much like us, just colder. If you read this book, therefore, you’ll get the Vikings in all their bloody, malicious glory.
Glenn Reynolds, the famous “Instapundit” and a law professor at the University of Tennessee, offers a short book about social media and the problems it brings. He frames his analysis and argument as a parallel to James C. Scott’s Against the Grain, which valorizes Mesopotamian hunter-gatherers. Reynolds’s point is that just as when hunter-gatherers became city dwellers they also became more susceptible to disease, so when we submitted ourselves to living on social media, we also became more susceptible to disease. That is, to diseases of the mind, and he offers some possible cures and vaccines.
Not everyone buys my belief that we are fast heading, in America, to some combination of the works of John Rambo and Francisco Franco. After all, it’d be more pleasant to all just get along. Good beer, good food, good times. Those things seem a lot more attractive, to everyone, including me. True, such hopeful imaginings have more than a little in common with M. Night Shyamalan’s The Village, where moderns retreat into an idyllic pre-modern existence and are protected from the horrors outside—until they’re not. But if a pleasant future is indeed possible without first undergoing some traumatic societal purgatory, it might be achieved through what is generically called communitarianism, so that is what I want to examine today.
I am fond of pointing out that the safety and security we think we enjoy is, historically speaking, anomalous and ephemeral. This memoir, by the late Kristina von Rosenvinge, brings this truth to life. It is not a maudlin tale of woe. Instead, it is optimistic and grateful, even though the events it narrates, of her young life during World War II and immediately after, must objectively have been extremely trying. And since I am always looking for additional messages in books, aside from simple human interest, I found her story has much to tell us both about history, and about the future.
James Bloodworth, an English sometime Trotskyite, has written a book which combines the television series Undercover Boss and George Orwell’s Down and Out in Paris and London. He took jobs in a variety of low-wage, low-security occupations to get first-hand knowledge about what it is like today to be a member of the largely invisible British working class. Bloodworth’s resulting argument is that a pernicious marriage of portions of the political Left and Right has destroyed the dignity of the British working class, with fatal consequence for that class, and deleterious consequences for all of society. Hired is a powerful book that has key implications for possible political realignment.
Man’s search for meaning is, in these days of alienation and anomie, always a topic that can generate interest. Meaning at its most concrete is tied to the things of Earth, to the nature of man and the world of nature. Thus, if man becomes wholly dissociated from Earth, bad things result. This, in a nutshell, is the message of not a few modern prophets, and among them is Alexander Langlands, offering a specifically British variation on the theme.