“The Diversity Myth” is a twenty-year-old book that nobody would remember, despite its many virtues, were it not for that its authors (and many of the young figures in its pages) have since then become highly-visible billionaires, and, in the case of Peter Thiel, prominent public intellectuals. None of them knew that then, though (presumably!), which makes the book even more interesting.
“Appetite For America” is that rare book that combines the best of a history book and a business book. It’s the story of Fred Harvey, a sickly but iron-willed Englishman who built the first retail empire in America, and the story of the company he founded, also called Fred Harvey (not Fred Harvey, Inc.—just plain Fred Harvey). It’s all fascinating, and offers the reader many accurate business insights as well (although they are not billed as business insights—this is not a navel-gazing self-help “business book”).
Holy crap, this is a bad book. I like the Koch brothers. I agree with them politically, both philosophically and in their desire to actually punch back at liberals and change the status quo, rather than simply feeding money into the rathole of establishment politicians and tasseled-loafer conservative consultants. Their demonization by the Left is emblematic of much that is wrong with America. But this is a business book, not a book on politics. And, holy crap, this is a bad book.
“Miles Gone By” is a good, but somewhat disorienting, book. It’s disorienting, first, because it’s disjointed—while divided into chapters covering different topics, it’s actually composed entirely of previously published pieces, without any attempt to knit them together coherently, in time or theme, as would be usual in an autobiography. The result isn’t bad, it’s just different, and that’s disorienting.
Anne-Marie Slaughter’s book is compelling. But too frequently it relies on unsupported, and in fact unvoiced, assumptions. And like a stick figure with one leg, the result is instability.
“Dreamland” is about opiate addition, and about an America most of us don’t see. Those most affected by the explosion in opiate use chronicled in “Dreamland” are members of the white underclass, a group with no champions and no power, and therefore little focus on its problems. To the extent it affects those not in the white underclass, the addiction is frequently hidden. Either way, we see little of it. Quinones forces this America forward and explains it. And he simultaneously shows how this America is the bastard child of unfettered welfare and private greed, midwifed by the decayed culture of our time.
This is just not a very good book. It’s not a dreadful book. Just not very good. True, it’s better than most modern apocalyptic fiction, but that’s a low bar. And true, it has to compete with Fortschen’s previous book, “One Second After,” which was fantastic. But nonetheless, it’s not a very good book.
“The Blueprint” is well written. But its predictions have now been repeatedly falsified, and it downplays critical elements in its analysis. Therefore, I cannot recommend it except as a narrow and dated historical analysis of Colorado politics in the middle of the last decade.
“Politics In The Ancient World” is a short work, a compilation and modification of a series of lectures given in 1980 by the Communist classicist M. I. Finley. Each lecture is a chapter, and while each chapter explores a different area of Greek and Roman politics, they are linked within an over-arching theme. The book’s audience is professional historians; you can be an amateur and appreciate it, but you will be immediately and totally lost if you are not already fairly well versed in classical history.
This is a clarifying book. In today’s Kardashian Kulture, even the well-informed, who know who Thomas Paine and Edmund Burke were, cannot generally give a cogent description of their thought, much less a point-counterpoint description of their fundamental ideas and disagreements. I know I certainly couldn’t. That is, until I read this book, which brilliantly does exactly that: distils Paine and Burke to their essences, both in the abstract and in direct comparison to each other.